12/23/2023 0 Comments Reaktor synthIf you're buying Reaktor for the first time you'll be set back £169 for the full version but owners of Reaktor 2 to 5 can purchase the update for £89.įor more information head to the Native Instruments website and watch the introduction video below. There are also a number of newer features aimed at experienced users, from the bundled wires section, which is said to make intra-level patching simpler, to the Table Framework attribute which allows scope for data sharing on the software. Two others are Digilog Blocks, aimed at rhythm creation and patch structuring, and All-Star which act as components of synths, while over 70 instruments can be found in the user library. ![]() Through a new "rack-style" Blocks feature, Reaktor 6 will allow users to build their own custom synths on the DSP environment software, with up to 30 Blocks available including Bento Box (the core part of a modular synth) and Boutique (ideal for sound shaping). Which obviously a lot of people thought about before me in some form or another which is no surprise as I'm no instrument designer.The latest version of Reaktor from Native Instruments is bringing hardware modular synth elements to your computer screen. Reaktor from Native Instruments is a very flexible and great sounding software-based modular real-time synthesizer, sampler and effects processor. ![]() NuNative - Haha I hear you so no dreams busted and no offence taken :D I will probably never get around to doing this for real but it obviously spawned some great and intriguing suggestions!Īs I get older, I'm more and more intrigued by complete instruments which are set up for a certain workflow and given my recent love for synths like Pigments and the Iridium/Quantum coupled with a quote I read from one of the creators of the VS which read along the lines that "it could start the sound with a hard pluck and then gradually decay into a soft clarinet" just got me thinking that this would be the natural evolution of this concept. Step 1: Fire up Reaktor in standalone mode, create a new Ensemble, and adjust the split-screen layout to taste. Perhaps one could create a template patch for this to make it easier and more accessible. You can create some awesome sounds with this but of course the 2D Vector is limited to what the Kernel mode can provide so no Granular and no Resonator and it's not nearly as intuitive as doing it on a dedicated piece of hardware/software. To create the "top and bottom peaks", think of it as 2 prisms joined at the bottom in terms of shape, you use the other 2 OSCs in which ever engine you desire and crossfade between them using an LFO, Envelope, Aftertouch etc. Use the built in envelopes in the Kernel engine or map their levels to the macros and use LFO's to crossfade between them. I actually thought about "3D" vectors and you could kind of create a "3D" Diamond (as Dave Smith called it on the VS) on the Iridium but it is a bit of a faff. ![]() Really close to pulling the trigger on an Iridium due to the Live Granular engine and over all fantastic sound quality which after trying one in a store recently, I can't say that anything I've heard really compares so while the concept may be available, it might not be available at that level of quality. You're probably right that it already exists in some form or another just not as explicitly stated and hence my ignorance :D I have nowhere near the knowledge needed to create this but if anyone else finds this intriguing perhaps this could be jointly pursued across the forum? Reaktor or MAX seems like the obvious starting points as there are numerous decent building blocks already available but again, there will need to be a lot of work to pull this together if it ever comes to fruition. ![]() Imagine something like the Waldorf Quantum/Iridium - 4 Oscillators freely assignable to Granular, Wavetable, Resonator, FM and or VA which is then mixed like the waveforms on the VS - Filter(s) - VCA - FX.Įven better if coupled with a MPE Controller where for example Y could control one of the Vectors axis and say Z could control the other. Putting this out here as I've got this idea stuck in my head for the past few days.īeen playing a lot with the Arturia Prophet VS and have really come to enjoy the Vector approach to blending waveforms, truly a cleaver idea to overcome certain limitations at the time but it's also got me thinking - why not extend the idea of vector mixing to a much more modern instrument?
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